Alysa Liu Laufey post moves her beyond skating
A social media post with Laufey and a cast reveal turned Alysa Liu’s Olympic soundtrack into a real step into pop culture.
Alysa Liu Laufey post shows a clear shift in where she is showing up now. After building part of her Olympic story around music from Laufey and PinkPantheress, she is no longer just skating to those artists. She is appearing beside them.
That change came into focus on April 7, when Laufey shared a social post of herself and Liu dancing to PinkPantheress’ “Stateside,” the same track Liu used in her free skate at the 2026 Winter Olympics. The clip felt casual and unforced. But it reframed Liu. This was not just another post-Olympic appearance. It placed her directly inside the same pop space she had already been moving around on the ice.
Laufey captioned the post, “welcome to the party @alysaxliu,” and Liu reshared it with “Madwoman let’s gooo.” Reactions came quickly, pulling in voices from both music and skating. This Alysa Liu Laufey post didn’t stay small.
Alysa Liu Laufey post moved quickly into a cast reveal
What followed made the moment land differently.
About an hour later, Laufey shared another post revealing part of the cast for her upcoming “Madwoman” music video. Liu appeared in that reveal alongside KATSEYE member Megan Skiendel. That second post changed how the first one reads. It no longer feels like a standalone clip. It feels like an introduction.
Liu is no longer only using pop culture inside her performances. She is starting to enter it directly.
That is a different kind of post-Olympic move.
The connection was already there
The pairing did not begin here. Liu had already used Laufey’s “Promise” during the Olympic season, and the two had crossed paths before Milan-Cortina.
In September 2025, Liu attended a Laufey concert in San Francisco and appeared during a “Best Dressed Guest” segment. Laufey’s reaction was immediate and genuine. She recognized Liu not just as a guest, but as a skater she already admired.
Seen now, that earlier moment feels less random and more like the start of a connection that kept building.
A broader kind of visibility
Since the Olympics, Liu’s presence has expanded well beyond competition. Television appearances, award shows, and a growing audience have placed her in a wider space. But this moment stands out because it moves beyond visibility.
She is not only showing up. She is becoming part of the output itself.
There is still no confirmed release date for the “Madwoman” video. But the direction feels clear. The Alysa Liu Laufey post now reads as a transition point. The skater who used music to shape her routines is now stepping into the same cultural space where that music lives.
This does not feel like a side moment. It feels like a direction.
➡️ This kind of crossover moment shows up on Poziwibe in Entertainment.
